Download Adobe Premiere Pro CS5.5
Adobe® Premiere® Pro CS5.5 software lets you edit faster with true native format support. Get breakthrough performance on workstations and laptops; streamline collaboration; and boost productivity with an efficient, robust, cross-platform editing workflow.
Extensive native file-based workflow
Eliminate time-consuming transcoding and rewrapping and maximize quality thanks to native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more.
Edit QuickTime Formats Natively
Import and edit all the popular QuickTime formats natively (including Apple ProRes and .mov files captured by Canon 5D and 7D cameras), with full access to clip metadata — no transcoding, rewrapping, or logging and transferring required.
Expanded native tapeless workflow
Avoid time-consuming transcoding or rewrapping by taking advantage of expanded native support for tapeless formats. Support for RED R3D is enhanced, and newly supported are XDCAM HD 50, AVCCAM, DPX, AVC-Intra, JVC ProHD, plus Canon and Nikon DSLR camera formats — all in addition to previously existing support for P2, XDCAM EX and HD, and AVCHD.
Tapeless camera support with Adobe OnLocation CS5 (included with Adobe Premiere Pro)
Use the powerful logging options in Adobe OnLocation™ CS5 when working with tapeless cameras, even during recording: Simply tell Adobe OnLocation which shot is currently recording and then enter notes, comments, and additional metadata. When clips are copied from the tapeless camera, Adobe OnLocation automatically merges the information.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon EOS-1D Mark IV, Canon EOS-5D Mark II, and Canon EOS 7D DSLR cameras using a comprehensive, easy-to-use toolset. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping.
Panasonic P2 import with browsing and metadata support
Import DVCPRO and DVCPRO HD content from Panasonic P2 cameras and cards. View camera metadata and organize files in the Media Browser before importing and editing the content — all without transcoding or rewrapping. Edit directly from the P2 card via the camera or a card reader.
Edit QuickTime Formats Natively
Import and edit all the popular QuickTime formats natively (including Apple ProRes and .mov files captured by Canon 5D and 7D cameras), with full access to clip metadata — no transcoding, rewrapping, or logging and transferring required.
Expanded native tapeless workflow
Avoid time-consuming transcoding or rewrapping by taking advantage of expanded native support for tapeless formats. Support for RED R3D is enhanced, and newly supported are XDCAM HD 50, AVCCAM, DPX, AVC-Intra, JVC ProHD, plus Canon and Nikon DSLR camera formats — all in addition to previously existing support for P2, XDCAM EX and HD, and AVCHD.
Tapeless camera support with Adobe OnLocation CS5 (included with Adobe Premiere Pro)
Use the powerful logging options in Adobe OnLocation™ CS5 when working with tapeless cameras, even during recording: Simply tell Adobe OnLocation which shot is currently recording and then enter notes, comments, and additional metadata. When clips are copied from the tapeless camera, Adobe OnLocation automatically merges the information.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon EOS-1D Mark IV, Canon EOS-5D Mark II, and Canon EOS 7D DSLR cameras using a comprehensive, easy-to-use toolset. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping.
Panasonic P2 import with browsing and metadata support
Import DVCPRO and DVCPRO HD content from Panasonic P2 cameras and cards. View camera metadata and organize files in the Media Browser before importing and editing the content — all without transcoding or rewrapping. Edit directly from the P2 card via the camera or a card reader.
Sony XDCAM, XDCAM HD, and XDCAM EX import with browsing and metadata support
Import and edit content from Sony XDCAM (and now XDCAM HD 50) and XDCAM EX cameras directly, without rewrapping or transcoding. Browse clips using the Media Browser and organize them using camera metadata. Edit directly from the SxS card via the camera or a card reader (XDCAM EX only).
4:2:2 timecode support
Take full advantage of timecode data in XDCAM422 footage, which is now maintained throughout your workflow.
XDCAM-HD export
Provide high-definition output in the specific format your clients require. In addition to a wide variety of other formats, Adobe Premiere Pro now also offers the ability to export XDCAM-HD.
AVCHD editing with browsing and metadata support
Import and edit AVCHD content from Sony, Panasonic, and Canon cameras without waiting. Native editing means you can start editing content immediately without transcoding or rewrapping the content. Use the Media Browser to browse clips and view metadata — including metadata from Panasonic AVCCAM cameras.
Import and edit content from Sony XDCAM (and now XDCAM HD 50) and XDCAM EX cameras directly, without rewrapping or transcoding. Browse clips using the Media Browser and organize them using camera metadata. Edit directly from the SxS card via the camera or a card reader (XDCAM EX only).
4:2:2 timecode support
Take full advantage of timecode data in XDCAM422 footage, which is now maintained throughout your workflow.
XDCAM-HD export
Provide high-definition output in the specific format your clients require. In addition to a wide variety of other formats, Adobe Premiere Pro now also offers the ability to export XDCAM-HD.
AVCHD editing with browsing and metadata support
Import and edit AVCHD content from Sony, Panasonic, and Canon cameras without waiting. Native editing means you can start editing content immediately without transcoding or rewrapping the content. Use the Media Browser to browse clips and view metadata — including metadata from Panasonic AVCCAM cameras.
Tapeless HDV import with browsing and metadata support
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow for Panasonic AVC-Intra files in Adobe Premiere Pro supports both 50Mbps and 100Mbps bitrates at all common frame rates. AVC-Intra format support in the Media Browser enables you to view clips directly without navigating through multiple folders.
Video production workflow guides
Media Browser panel for efficient tapeless workflows
Check the convenient Media Browser panel to see the contents of all mounted volumes on your system. Finding content on tapeless cameras is easy because the Media Browser shows you the clips, with no extraneous files. Customize your view of metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel. And now, the Media Browser is also available in Adobe OnLocation.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, Nikon D300S, Nikon D3S, and Nikon D5000 cameras, using a comprehensive, easy-to-use toolset. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping.
Native RED camera support
Experience breakthrough performance and a faster, color-rich workflow for content created on RED cameras, with real-time editing and accelerated output thanks to the native 64-bit Adobe Mercury Playback Engine. Import R3D files directly into Adobe Premiere Pro without transcoding or rewrapping, and easily switch among resolutions for playback to meet the performance and image quality needs of every post-production task. Support for RED Build 21 improvements and FLUT Color Science helps ensure the highest quality imagery as you edit and finish content in all common RED R3D file permutations, including 2K, 3K, 4K, 4.5K, 4K HD, 16x9, and 2x1, using a number of different frame rates.
RED Rocket support
Use Adobe Premiere Pro in conjunction with a RED Rocket card for faster, more responsive playback of RED media — while keeping valuable CPU power free for other processes, such as applying effects.
RMD import
Import and edit RMD files created by REDCine-X tools, for smoother collaborative workflows when working with color-graded footage.
Support for RED Mysterium X™
Adobe is committed to working with RED to release improved support for RED in CS5.5, and a plug-in is available for Adobe Premiere Pro and After Effects which adds support for RED Mysterium X™ and the latest Color Science and Firmware for RED ONE™ cameras. This includes new user interface support for FLUT, shadows and new color spaces.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving.
DPX file import and export
Work with DPX frame sequences as footage in Adobe Premiere Pro. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time in production. Import and export files that have timecode data embedded within a DPX frame sequence, allowing for even more control when working with the DPX format.
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow for Panasonic AVC-Intra files in Adobe Premiere Pro supports both 50Mbps and 100Mbps bitrates at all common frame rates. AVC-Intra format support in the Media Browser enables you to view clips directly without navigating through multiple folders.
Video production workflow guides
- Using Adobe Premiere Pro with Canon Digital Video Cameras
- Using Adobe Premiere Pro with tapeless Sony XDCAM content
- Using Adobe Premiere Pro with RED Digital Cinema content
- CS5 Production Premium end-to-end editing workflows with Panasonic AVCCAM cameras
- CS5 Production Premium end-to-end workflows for Panasonic P2 and P2HD cameras
- Accelerate HD workflows with native 64-bit support in Production Premium
Check the convenient Media Browser panel to see the contents of all mounted volumes on your system. Finding content on tapeless cameras is easy because the Media Browser shows you the clips, with no extraneous files. Customize your view of metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel. And now, the Media Browser is also available in Adobe OnLocation.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, Nikon D300S, Nikon D3S, and Nikon D5000 cameras, using a comprehensive, easy-to-use toolset. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping.
Native RED camera support
Experience breakthrough performance and a faster, color-rich workflow for content created on RED cameras, with real-time editing and accelerated output thanks to the native 64-bit Adobe Mercury Playback Engine. Import R3D files directly into Adobe Premiere Pro without transcoding or rewrapping, and easily switch among resolutions for playback to meet the performance and image quality needs of every post-production task. Support for RED Build 21 improvements and FLUT Color Science helps ensure the highest quality imagery as you edit and finish content in all common RED R3D file permutations, including 2K, 3K, 4K, 4.5K, 4K HD, 16x9, and 2x1, using a number of different frame rates.
RED Rocket support
Use Adobe Premiere Pro in conjunction with a RED Rocket card for faster, more responsive playback of RED media — while keeping valuable CPU power free for other processes, such as applying effects.
RMD import
Import and edit RMD files created by REDCine-X tools, for smoother collaborative workflows when working with color-graded footage.
Support for RED Mysterium X™
Adobe is committed to working with RED to release improved support for RED in CS5.5, and a plug-in is available for Adobe Premiere Pro and After Effects which adds support for RED Mysterium X™ and the latest Color Science and Firmware for RED ONE™ cameras. This includes new user interface support for FLUT, shadows and new color spaces.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving.
DPX file import and export
Work with DPX frame sequences as footage in Adobe Premiere Pro. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time in production. Import and export files that have timecode data embedded within a DPX frame sequence, allowing for even more control when working with the DPX format.
System requirements
Windows
- Intel® Core™2 Duo or AMD Phenom® II processor; 64-bit support required
- 64-bit operating system required: Microsoft® Windows Vista® Home Premium, Business, Ultimate, or Enterprise with Service Pack 1 or Windows® 7
- 2GB of RAM (4GB or more recommended)
- 10GB of available hard-disk space for installation; additional free space required during installation (cannot install on removable flash storage devices)
- 7200 RPM hard drive for editing compressed video formats; RAID 0 for uncompressed
- 1280x900 display with OpenGL 2.0-compatible graphics card
- Adobe-certified GPU card for GPU–accelerated performance; visit www.adobe.com/go/premiere_systemreqs for the latest list of supported cards
- Adobe-certified card for capture and export to tape for SD/HD workflows
- OHCI-compatible IEEE 1394 port for DV and HDV capture, export to tape, and transmit to DV device
- Sound card compatible with ASIO protocol or Microsoft Windows Driver Model
- DVD-ROM drive compatible with dual-layer DVDs (DVD+-R burner for burning DVDs; Blu-ray burner for creating Blu-ray Disc media)
- QuickTime 7.6.2 software required for QuickTime features
- Adobe® Flash® Player 10 software required to play back DVD projects exported as SWF files
- Broadband Internet connection required for online services and to validate Subscription Edition (if applicable) on an ongoing basis*
Mac OS
- Multicore Intel processor with 64-bit support
- Mac OS X v10.5.8 or v10.6.3; Mac OS X v10.6.3 required for GPU-accelerated performance
- 2GB of RAM (4GB or more recommended)
- 10GB of available hard-disk space for installation; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on removable flash storage devices)
- 7200 RPM hard drive for editing compressed video formats; RAID 0 for uncompressed
- 1280x900 display with OpenGL 2.0–compatible graphics card
- Adobe-certified GPU card for GPU–accelerated performance; visit www.adobe.com/go/premiere_systemreqs for the latest list of supported cards
- Core Audio–compatible sound card
- DVD-ROM drive compatible with dual-layer DVDs (SuperDrive for burning DVDs; external Blu-ray burner for creating Blu-ray Disc media)
- QuickTime 7.6.2 software required for QuickTime features
- Adobe Flash Player 10 software required to play back DVD projects exported as SWF files
- Broadband Internet connection required for online services and to validate Subscription Edition (if applicable) on an ongoing basis*
Supported NVIDIA graphics cards for GPU acceleration
- GeForce GTX 285 (Windows and Mac OS)
- GeForce GTX 470 (Windows)
- GeForce GTX 570 (Windows)
- GeForce GTX 580 (Windows)
- Quadro FX 3700M (Windows)
- Quadro FX 3800 (Windows)
- Quadro FX 3800M (Windows)
- Quadro FX 4800 (Windows and Mac OS)
- Quadro FX 5800 (Windows)
- Quadro 2000 (Windows)
- Quadro 2000D (Windows)
- Quadro 2000M (Windows)
- Quadro 3000M (Windows)
- Quadro 4000 (Windows and Mac OS)
- Quadro 4000M (Windows)
- Quadro 5000 (Windows)
- Quadro 5000M (Windows)
- Quadro 5010M (Windows)
- Quadro 6000 (Windows)
- Quadro CX (Windows)
Visit the NVIDIA website
for system requirements and compatibility. The list of graphics cards
that are compatible with Adobe Premiere® Pro CS5 is updated on a regular
basis.
*Adobe online services, including Adobe CS Live Services, are available only to users 13 and older and require agreement to additional terms and Adobe's online privacy policy. Online services are not available in all countries or languages, may require user registration and may be subject to change or discontinuation without notice. Additional fees or subscription charges may apply.
Keywords: Professional Video Editing, Video Editing Software, Video Efects Software, 3D Video Efects, Free to try software, Download, Downloads, Authoring Tools.
*Adobe online services, including Adobe CS Live Services, are available only to users 13 and older and require agreement to additional terms and Adobe's online privacy policy. Online services are not available in all countries or languages, may require user registration and may be subject to change or discontinuation without notice. Additional fees or subscription charges may apply.
Activation
This product must be activated over the Internet prior to use. Visit the Product Activation Center to learn more about activation.Keywords: Professional Video Editing, Video Editing Software, Video Efects Software, 3D Video Efects, Free to try software, Download, Downloads, Authoring Tools.
Posts
