Eliminate time-consuming transcoding and rewrapping and maximize quality thanks to native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more.
Edit QuickTime Formats Natively
Import and edit all the popular QuickTime formats natively (including Apple ProRes and .mov files captured by Canon 5D and 7D cameras), with full access to clip metadata — no transcoding, rewrapping, or logging and transferring required.
Expanded native tapeless workflow
Avoid time-consuming transcoding or rewrapping by taking advantage of expanded native support for tapeless formats. Support for RED R3D is enhanced, and newly supported are XDCAM HD 50, AVCCAM, DPX, AVC-Intra, JVC ProHD, plus Canon and Nikon
DSLR camera formats — all in addition to previously existing support for P2, XDCAM EX and HD, and AVCHD.
Tapeless camera support with Adobe OnLocation CS5 (included with Adobe Premiere Pro)
Use the powerful logging options in Adobe OnLocation™ CS5 when working with tapeless cameras, even during recording: Simply tell Adobe OnLocation which shot is currently recording and then enter notes, comments, and additional metadata. When clips are copied from the tapeless camera, Adobe OnLocation automatically merges the information.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon EOS-1D Mark IV, Canon EOS-5D Mark II, and Canon EOS 7D DSLR cameras using a comprehensive, easy-to-use toolset. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping.
Panasonic P2 import with browsing and metadata support
Import DVCPRO and DVCPRO HD content from Panasonic P2 cameras and cards. View camera metadata and organize files in the Media Browser before importing and editing the content — all without transcoding or rewrapping. Edit directly from the P2 card via the camera or a card reader.
Tapeless HDV import with browsing and metadata support
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow for Panasonic AVC-Intra files in Adobe Premiere Pro supports both 50Mbps and 100Mbps bitrates at all common frame rates. AVC-Intra format support in the Media Browser enables you to view clips directly without navigating through multiple folders.
Video production workflow guides
Media Browser panel for efficient tapeless workflows
Check the convenient Media Browser panel to see the contents of all mounted volumes on your system. Finding content on tapeless cameras is easy because the Media Browser shows you the clips, with no extraneous files. Customize your view of metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel. And now, the Media Browser is also available in Adobe OnLocation.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, Nikon D300S, Nikon D3S, and Nikon D5000 cameras, using a comprehensive, easy-to-use toolset. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping.
Native RED camera support
Experience breakthrough performance and a faster, color-rich workflow for content created on RED cameras, with real-time editing and accelerated output thanks to the native 64-bit Adobe Mercury Playback Engine. Import R3D files directly into Adobe Premiere Pro without transcoding or rewrapping, and easily switch among resolutions for playback to meet the performance and image quality needs of every post-production task. Support for RED Build 21 improvements and FLUT Color Science helps ensure the highest quality imagery as you edit and finish content in all common RED R3D file permutations, including 2K, 3K, 4K, 4.5K, 4K HD, 16x9, and 2x1, using a number of different frame rates.
- Download the RED EPIC camera importer for native support in CS5.5 ›
RED Rocket support
Use Adobe Premiere Pro in conjunction with a RED Rocket card for faster, more responsive playback of RED media — while keeping valuable CPU power free for other processes, such as applying effects.
RMD import
Import and edit RMD files created by REDCine-X tools, for smoother collaborative workflows when working with color-graded footage.
Support for RED Mysterium X™
Adobe is committed to working with RED to release improved support for RED in CS5.5, and a plug-in is available for Adobe Premiere Pro and After Effects which adds support for RED Mysterium X™ and the latest Color Science and Firmware for RED ONE™ cameras. This includes new user interface support for FLUT, shadows and new color spaces.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving.
DPX file import and export
Work with DPX frame sequences as footage in Adobe Premiere Pro. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time in production. Import and export files that have timecode data embedded within a DPX frame sequence, allowing for even more control when working with the DPX format.
System requirements
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